Now in its
second year the new music collective is a cross genre collaboration between
students at Leeds College of Music. The concert had a plethora of musical
styles from minimalism to contemporary pop all expertly programmed by the
group’s director Damien Harron.
The concert was
held in The Venue the college’s
largest concert hall with a modest but seemingly enthusiastic audience. Opening
with ‘Running like clockwork’ by
student Liam Brigg, a melodic piece that was a pleasant introduction. The piece
seemed to be built on rhythmic fragments on the same idea, which was passed between
the instruments in the ensemble. The piece, possibly a little to repetitive was
interesting nonetheless.
Other student
works of particular interest, which featured in the concert, were that of
Barney Tabor and Lisa Burgess. Both composers of contemporary classical music
their creativity shone in the performances of their pieces ‘Murder with too many notes’ (Tabor) and ‘Psychoanalysis’ (Burgess). ‘Psychoanalysis’, whilst not a piece I
would ever find myself humming to on the bus ride home, kept the listeners
interested and and built up a tension within the music. The work, featuring not
only traditional scoring but a mix of the latter and graphic scores gave the
performers a certain element of freedom whilst playing. The graphic score
sections were of particular interest and the inventiveness of the performers
led to some interesting passages.
The concert also
had a mix of solo performances. An astounding performance of a Xanakis work
featuring Alexandros Peperlasis on mixed percussion was one such solo piece.
The work, virtuosic in nature was performed brilliantly by Alexandros who’s
precision led to a dramatic performance. The work not only stunning to the ear
also boasted a stunning visual element to it due to the fast changes between
the instruments.
Slightly
different to the previous New Music Collective concerts this programme seemed
to have a lot of contemporary classical music programmed in and less from the
other pathways of the college. This having been said there was one pop
performance by student Thomas Trueman. His piece added something different to the
concert and was a pleasant break from some of the harder listening contemporary
classical pieces.
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